Showing posts with label thinking process. Show all posts
Showing posts with label thinking process. Show all posts

Sunday, November 23, 2008

What a Good Idea by Barbara Quinn

I’m grateful for ideas and the way my brain manages to come up with them. I’m over sixty pages into a new novel and this is the point where I need to trust that the creative part of my brain will get the job done. It does no good to tell my brain what I want it to do. I have to listen and wait for the right solution to turn up, for the right dilemma to appear in front of my main character, for the next adventure to crystallize.

Sometimes I wake in the middle of the night with a suddenly obvious solution. Ideas come when they want, not when I want them to. It can be in the shower, or while cooking dinner, while taking a walk, while sitting quietly waiting for night to fall. I’ve learned that I don’t have any control over these ideas. And more importantly, I’ve learned to trust that they will come along.

If ideas were animals, they would be cats. You can call to them all you want, but if they don’t want to be around you, they will disappear for days on end. And they will only appear when they are comfortable and ready to interact on their terms.

Some people get ideas from current events, or from the past. Others get them from interactions with people and new occurrences. This is the time of year when I am often asked at parties and gatherings, “But where do you get your ideas?” My favorite answer for that question is a borrowed one: “I think them up.” Those few words, “I think them up”, explain a lot of the process. It’s an indirect kind of thinking, this idea creation, a conjuring, not a put-on-your-thinking-cap type of approach. Sure I have to plug up plot holes, and make things logical. But for a large part of the process, I need to sit back and let the brain do its elusive processing.

Here’s to ideas. May they purr to life for you!

Wednesday, October 29, 2008

Spilling Contents. by Patresa Hartman

I tell my students this, but I'm not sure if they believe my sincerity: I love what they write. I believe writing peels off a sticky lid and allows the author to spill her contents. Spelling and grammar, punctuation and sentence structure -- these are cosmetics. The value of writing, as I experience it, is a thinking process, a method of discovery, spelunking into the gooey center of consciousness. I don't always like what my students say, but I like that I am privy to it.

So many of my students come to me terrified of (or angry about) having to write. They have been told year after year of their weak mechanics, each paper bleeding red for all their ideas incorrectly composed. It is true that their papers are not lovely in form; but it is a shame what we do to thwart expression. There is a concept we discuss in my Communication Skills class: the Sapir-Whorf Hypothesis. This hypothesis suggests that our language influences our thoughts and attitudes. And so what happens when we clamp off our language like faulty spickets? Do we also clamp off our thoughts? And to clamp off the very action of thought, do we thwart our own evolution? So big, this case for writing is. Enormous.

At the Tuesday night writing lab I helm and in the regular classes I teach, I read papers with shoddy grammar and confusing structure. I squint through lumpy paragraphs and run-on sentences and decode cryptic vocabulary. But when I look past these cosmetics, I see a consistent pattern in student writing: Somewhere in the third quarters of their essays, they discover they have something to say.

The realization of something worth saying is incomparable motivation to keep talking.

I think the trouble is that many students are trained not to notice. If they recognize the emergence of voice and intent at all, it is too late; they have waited too long to complete the task and do not have time to revise or expand. Just as they finally warm up to start, they stop. They turn in their work with aborted ideas, only an inkling of the beautiful things they know and understand, sitting dormant under a flimsy layer of crud.

I am grateful for the opportunities I get to talk with students about their writing. It is my favorite part of my job, the one that makes me feel like I matter. I like to see the change in posture that occurs when I hold up a mirror to show them their own wisdom. "See here? What you said here is brilliant." The voice in their second paper is always more self-assured than the voice in their first paper, and I always wish we had more time. Just as we finally warm up, the semester ends and we stop.

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